Nadigar Thilagam Sivaji Ganesan Part 10

[joe]

In my humble opinion , Vishwanatha Nayakudu won't attract general audience like Karnan did .. NT was not the sole hero in this movie ,just father character of Title character .. The producers trying to cash using Karnan heat .. I would like to see ThiruviLayadal , not Vishwanatha Nayakudu to follow Karnan.

[NOV]

The producers trying to cash using Karnan .

probably it will only attract hard core fans...

thiruvilaiyadal court case innum resolved aagalayaa?

[Plum]

What? Krishna-NT confrontation scenela Dasari reNdu pErum kondhalichu kikkRadhai(Thandhai-magan in opposite munais of a clash) mAththi mAththi rendu faceiayum close up kAttuvAr. NT - kobam koppaLikkum, Krishna - ngE.....

What is the procedure to get a court stay?

[HARISH2619]

In my humble opinion , Vishwanatha Nayakudu won't attract general audience like Karnan did .. NT was not the sole hero in this movie ,just father character of Title character .. The producers trying to cash using Karnan heat .. I would like to see ThiruviLayadal , not Vishwanatha Nayakudu to follow Karnan.

I completely agree with u sir

[P_R]

Is this an open-to-all event?
http://themadrasday.in/2012/08/the-t...n-aug-25-2012/

The Tamil forms of Sivaji Ganesan – Talk by Mohan V Raman – Aug. 25, 2012
Special tribute on the 100th year of Indian Cinema
At the Park Sheraton, TTK Road.
Tea : 6.30 to 7.00 pm. Programme: 7.00 – 8.00 pm

[P_R]

Lovely presentation!


Actor Mohanram's freeflowing, anecdote heavy presentation was very well annotated and drew attention to several key nuances of Sivaji's acting.
He was able to give an actor's insight into the challenge of the performances and served to highlight how extraordinary Sivaji's achievements were in those performances.
Met Mr.RAGHAVENDRA and Murali Srinivas there. I am sure they will be able to give a more detailed account of the proceedings.

Those of you who were free in Chennai this evening really missed something.

[NOV]

excellent PR.... can you tell us the events of the evening... in your own words....

[Senareb]

sory for already share




'Sivaji' Ganesan on Egypt

[Thomasstemy]

Lovely presentation!


Actor Mohanram's freeflowing, anecdote heavy presentation was very well annotated and drew attention to several key nuances of Sivaji's acting.
He was able to give an actor's insight into the challenge of the performances and served to highlight how extraordinary Sivaji's achievements were in those performances.
Met Mr.RAGHAVENDRA and Murali Srinivas there. I am sure they will be able to give a more detailed account of the proceedings.

Those of you who were free in Chennai this evening really missed something.

It was indeed a good attempt from Mr.Mohanraman on Thamizh's of Sivaji but could have been better. However, a pure class program that it could have turned out, failed so in becoming one due to the same "free flowing talk" Manadhil oru Nerudal !!

1) Mr. Mohanraman could have avoided unwanted mentioning (Whether quoted incident is true or not, that is a different question) of "Sowcar Janaki mentioning the Jatti Matter to Late Sri.Javar Seetharaman during the Uyarndha Manidhan discussion" - Indha Maadhiri oru Nadigar Thilagam Exclusive Program la adhu Kevalama irundhuchu. Even if the intention was to bring in some lighter moment this was 100% sub-standard and Maha Kevalam !

2) Similarly, he could have avoided Thiruvilayadal explanation (Pengalukku Iyarkayilaeyae Koondhalil Manam) - equating the jerk of Nadigar Thilagam when Nakeeran saying "Isanukku idapakkam amarndhirukkum umayaval..." and explaining it as "Ivan eppudida (Nakeeran) Namma pondatti Koondhala Moppam..." - Oru Class Program in the name of "Haasyam" becoming Local.

The worst part is...the audience clapping on both the above moment....Adhudhaan Padu Kevalam !! athudan Nadigar Thilagathukku seidha avamariyadhai endru naan karudhugiraen !!.

Sun TV style review sollanumna - "The Thamizh's of Sivaji" - Sandhanathin mel sindhiya saakadai thuligal..!

[Murali Srinivas]

Here is what Sanjay Subramanian the renowned Carnatic Vocalist has to say about the programme on NT compered by our hubber cum artist Mohanram.

The brilliance of Sivaji

Sivaji was, is and will be one of the most celebrated actors of Indian films. He was such a colossus in the Tamizh Industry, it was quite unbelievable. Yesterday we were treated to a lovely presentation on Sivaji by the actor Mohan V Raman. Mohan is such a passionate fan of cinema and Sivaji in particular that this was as easy as Mohanam was to the Maharajapuram family! The highlights of the presentation for me were

1. Couple of amazing Sivaji facts - Sivaji in his career has on 18 different occasions had 2 films simultaneously being released on the same date in Madras. Of these 36 films, nearly 50% were ran either 100 days or 25 weeks! At a point of time, 85% of the theatres in Madras were screeing Tamizh films which starred Sivaji as the hero.

2. The beautiful manner in which Mohan illustrated how Sivaji could vary the “kaalapramaanam” or tempo in which he delivered dialogues. This is very interesting for me as a musician because it is very very difficult for me to change the tempo in which I sing certain songs. I guess formally trained actors could get this because it is part of their syllabus, but for Sivaji to have got this through sheer observation, native intelligence and hard work is what is exciting to learn about.

3. A brilliant example of the acting of Sivaji from the famous Dharumi episode in Thiruvilayaadal. At one point when the exchange is happening at a brisk pace between AP Nagarajan (Nakkerar) & Sivaji, APN insists that the hair of even the divine Goddess could not have a natural fragrance. At this juncture one generally does not notice what Sivaji is doing. But at that precise moment the Lord realises that by mentioning the Goddess, Nannkeerar is actually to referring to Sivaji’s wife and he takes a slight backward step indicating shock at the audacity of the man! This bit of subtle acting can easily be ignored unless pointed out by an expert like Mohan!!

4. Some lovely examples of Sivaji’s different Tamizh accents, starting from Manohara, Parasakthi, the Tambrahm accents in Vietnam Veedu & Gowravam, the sissy playboy in Deivamagan, the Madras baashai in Bale Pandiya with MR Radha, the Konguththamizh with Sarangapani in Makkalai petra magarasi, the brilliant Mukkulatthor tamizh in Thevar magan, the sophistication in Uyarntha manithan and the list can just go on and on.

5. Finally as a Vote of thanks, Mohan played a 40 sec clipping where Sivaji is seen felicitating Mohan for a programme he had organised, and even there you can see the dignity and stature of the man in the way he operated in that formal space.

Mohan is a huge Sivajiphile. He was instrumental alongwith a few others in getting a postage stamp released on Sivaji in a record time of 71 days after his passing. He ahs organised some terrific philatelic exhibitions showcasing the life of Sivaji through stamps. He and YG Mahendran are running a Sivaji films appreciation society showing his films once a month.

http://sanjaysub.tumblr.com/post/302...ance-of-sivaji

Regards