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2nd November 2011, 08:23 PM
#21
Senior Member
Diamond Hubber
Couple of good examples that worked for me too. Thank you. They did work in giving a matter of fact slice-of-life snapshot(s). And that's a good quality for sure. To create emotion out of moments, brought about by characters. A quality that I cherish about early Mahendran is the fact he didn't direct our (viewer's) attention to him or to his wit, but always the character's. Also, the unbridled quality of letting the character govern the plot & not the plot govern the characters. To sum his films into a plot line would be disservice. All that I get. But...
...an artist without an art.
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2nd November 2011 08:23 PM
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2nd November 2011, 08:25 PM
#22
Senior Member
Veteran Hubber
Originally Posted by
kid-glove
Couple of good examples that worked for me too. Thank you. They did work in giving a matter of fact slice-of-life snapshot(s). And that's a good quality for sure. To create emotion out of moments, brought about by characters. A quality that I cherish about early Mahendran is the fact he didn't direct our (viewer's) attention to him or to his wit, but always the character's. Also, the unbridled quality of letting the character govern the plot & not the plot govern the characters. To sum his films into a plot line would be disservice. All that I get. But...
Super
"Yeah, well, you know, that's just, like, your opinion, man"
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2nd November 2011, 08:27 PM
#23
Senior Member
Platinum Hubber
Originally Posted by
AravindMano
azhagiya kaNNE - Janaki. Title song kELunga, adhuvum nalla song.I am not surprised that UthiripookkaL has not much takers. It's not a look-at-me kind of film that proclaims it's greatness, at times I think the film itself is not conscious about it's greatness. It's just that a film maker in his best frame of mind with the best available resources (including the short story) makes a film in the way he likes and it turns out to be one heck of a piece. I am one absoulte fan.
Aye, aye. Lovely, AM, lovely. Tm, N paththi ellaam karuththu irukkaa?
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2nd November 2011, 08:35 PM
#24
Senior Member
Platinum Hubber
Why I mentioned the technique of a sad song with either a)cut between past and present to underline the character's misfortune and changed circumstances b) montage of the character's past to summarise/outline the current plight is think Sethu for a) - Vikram hale and healthy in the past, emaciated in the present, is underlined in Enge Sellum. For b), countless examples. Thenpaandi cheemaiyile? Mahendran doesn't need these props to invoke your tears. He simply shows the moment. And the rest your heart does it.
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2nd November 2011, 08:37 PM
#25
Senior Member
Regular Hubber
Mani Rathnam once said "If I get anywhere near what Mahendran did in Udhiri Pookkal, I’ll be a happy man." But the matter is Kamal never said that because Kamal wanted to go above that.
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2nd November 2011, 08:38 PM
#26
Senior Member
Platinum Hubber
Indha subtlety, subtletyngaraingaLE. Andha subtlety-aiyE subtle-A sonnadhu Mahendran dhaan. NammallAm explicitA thuruthikittu nikkaRadhaiyE subtletynu koNdAdarOm...
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2nd November 2011, 08:40 PM
#27
Senior Member
Regular Hubber
Originally Posted by
Plum
Indha subtlety, subtletyngaraingaLE. Andha subtlety-aiyE subtle-A sonnadhu Mahendran dhaan. NammallAm explicitA thuruthikittu nikkaRadhaiyE subtletynu koNdAdarOm...
Very general statement. Quote with examples.
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2nd November 2011, 08:45 PM
#28
Senior Member
Platinum Hubber
Title song: hey chinna poongatru thaalatta. Raja's voice plays with your heart like it was his violin string. And he hints the first interlude of Azhagiya Kanne in the first interlude here. That interlude captures the helplessness but small happiness of Ashwini's situation. Ofcourse, TM has its own musical motifs and BGM. But, Raja is a character here. He is there. You don't see hom but You knowhe is there. You don't pay attention to him but all the while he is occupying your mind as much as what you are watching on screen. Probably, it is Raja who tilts the scales for me. His craft is at a higher peak here. Yes, it is raw, it being only his third year in TF. But that suits Udhiri PookkaL in a way that the organised, tight-orchestrating latter day Raja cannot.
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2nd November 2011, 08:49 PM
#29
Junior Member
Junior Hubber
please change the title to Nayagan v Devar Maghan v Udhiri Pookal .. (vera edhavadhu add pannanumnaa requestungo)
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2nd November 2011, 08:49 PM
#30
Senior Member
Platinum Hubber
Originally Posted by
cinema
Very general statement. Quote with examples.
Nothing off my head I'll tell you why I made that statement. RecentA sila pala threads-la, idhu subtleA beautifulA solli irukkArnu padichappO, andha timela chippu vandhudhu idhellAm dhaan subtletyAnnu. But I don't remember now and can't be bothered to search now. If you want me to retract that statement since I cannot quote examples, I will.
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