IR's BGM

[littlemaster1982]

When jayachitra goes to suchitra's house to request for karthiks release the bgm is worth a special mention. The usage of veenai(???) is good and it is accompanied with another harrowing note. prammadham

I wanted to mention a small anecdote, but forgot it in my previous post. When I was watching this film in TV some 10 years ago, I gave that veenai sound even before it was played on screen. My cousin who was sitting nearby was amazed that I remembered it. That's how good the BGM was

[Sanjeevi]

Just finished seeing Agni Natchathiram, The BGM during the scene when Prabhu arrests Karthik -

The way Karthik says "Ashhok Vishhhwanath" and Prabhu says "Arrest him" supera irukkum

Oru Passenger Train-ae veetukulla ottina madhiri.

I was affected by BGM of AN (right from the title score) when I saw first time in theatre in my onnuntheriyatha vayasu days.

[AravindMano]

My first awakening to background score, borrowing the term from PlummanAr, happened during watching Kadhalukku Mariyathai. And the second awakening, konjam asandhu thoongittEn, happened while revisting Sindhu Bhairavi. Everybody raves about the songs, but the BGM was on par. I didn't realize it during watching the film. But days later when my friend and self were discussing the film, every scene my friend mentioned was etched in memory only as the background score.

Favourite piece from the film

Brilliantly supports the montages, if i can call it that way.

[Plum]

Agni N, might be my second awakening too. The distortion veena piece, the train in doorstep as af alluded are ofcourse great.
Then there is the idi-minnal confrontation score which concludes like an amplified effect of a coin's settling in the ground after several spins on the ground after being tossed, the trumpets signifying the noose tightening on umapathy.

There is one tender piece amidst all this high energy explosion - bo, not the I love you theme for nirosha intro. When tara runs up the stairs carrying the kovil prasadam, the flute climbs the stairs with her. She forgets her place in the family in the excitement of getting the prasad to her father; the flute captures all this and the veena piece leading up to being stopped by the policeman and sumitra saying "enga veettu ponnu dhaan". Mani milked the moment very effectively(one of his strong points) and Raja gave full support.

[ajithfederer]

Plum,

While Nirosha's "Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii Lovvvvvvvvvvvvvvvvvv Youuuuuuuuuuuuuuuuuuuuuuu" was romantic and breezy Amala's was down right naughty. Trust this man to get the emotions right.



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When jayachitra goes to suchitra's house to request for karthiks release the bgm is worth a special mention. The usage of veenai(???) is good and it is accompanied with another harrowing note. prammadham

I wanted to mention a small anecdote, but forgot it in my previous post. When I was watching this film in TV some 10 years ago, I gave that veenai sound even before it was played on screen. My cousin who was sitting nearby was amazed that I remembered it. That's how good the BGM was

[venkkiram]

My first awakening to background score, borrowing the term from PlummanAr, happened during watching Kadhalukku Mariyathai. And the second awakening, konjam asandhu thoongittEn, happened while revisting Sindhu Bhairavi. Everybody raves about the songs, but the BGM was on par. I didn't realize it during watching the film. But days later when my friend and self were discussing the film, every scene my friend mentioned was etched in memory only as the background score.

Favourite piece from the film

Brilliantly supports the montages, if i can call it that way.

[AravindMano]

My pleasure!

[mr_karthik]

Annakili had a wonderful by Janaki amma

anakili unnai theduthe aaru masam ....

Amazing.
adheppadi, yArukkum theriyAtha vishayamellAm unggaLukku mattum...??.

pullarikkudhunga.

[mr_karthik]

Plum,

While Nirosha's "Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii Lovvvvvvvvvvvvvvvvvv Youuuuuuuuuuuuuuuuuuuuuuu" was romantic and breezy Amala's was down right naughty. Trust this man to get the emotions right.

But picturisation of 'ninnukkOri varNam' song by MR was toooooooooooo childish.

[Plum]

AF, I think what you really want to emphasize is "Trust this man to get nuances right"