Which non-indian film u saw recently has made u post here???

**littlemaster1982** · 9th August 2011, 08:45 AM

Originally Posted by VENKIRAJA

Up.
Missed this one in the big screens. அற்புதம். Especially, the couple montage

Bluray extras

Where are you getting the blurays? Download/rent?

**Google Adsense** · 9th August 2011 08:45 AM

**Balaji.r** · 9th August 2011, 08:49 AM

torrent. you get very good rips these days, LM. ~ 2GB

**littlemaster1982** · 9th August 2011, 09:06 AM

I download those too. Venki was talking about extras, so I thought he is watching it on bluray.

**Balaji.r** · 9th August 2011, 10:12 AM

In some torrents it comes with extra`s.

**littlemaster1982** · 9th August 2011, 10:55 AM

WIll checkout.

**kid-glove** · 9th August 2011, 12:22 PM

there are 14GB .iso mirrors as well. It's the entire Bluray disc.

**VENKIRAJA** · 9th August 2011, 09:45 PM

Originally Posted by littlemaster1982

Where are you getting the blurays? Download/rent?

Originally Posted by Balaji.r

In some torrents it comes with extra`s.

Bluray Players are costly, and actually useless for our place. DDL or Torrentz, we get extras.

**ajithfederer** · 12th August 2011, 03:04 AM

The Walking Dead - Season 1. Not bad.

**Querida** · 15th August 2011, 10:28 AM

Friends with Benefits - parodying the rom-com while falling into its traps...flash mobs have lost their flashiness for me. JT seems to keep playing a character he had from previous films while MK is such a unreal beauty with an unconvincing romantic streak...

**anbu_kathir** · 16th August 2011, 04:09 PM

Originally Posted by kid-glove

Tree of Life - As a massive Malick fan, I found it slightly disappointing without being surprised all along. Heidegger's Being & Beings. Angst & Finitude. Hermeneutic circle et all is all good (Forget one's own reservations about the diff. schools of thoughts, It's important to identify filmmaker's & the success with which it's realized ) but never comes together as one full piece as it winds up towards the end. Malick was always going to immanentize the eschaton after all the suggestivity in his previous films. Turning what Heidegger feared most about this medium on its own solipsistic head. For the most part, he succeeds. It DOES work as a tone poem that one'd expect from Malick, with its own pattern of aural-visual where the spoken word is, in various connotations, essentially the same Heideggerian question. Like all his films, there's a main narrative which meanders around that one mortal question as it touches amoral, oedipal, fraternal, filial & familial obligations - in short the very existence.

Malick achieves most of what he set out to do. And the way his career was treading all along, he was bound to make this. This works as an audacious cinematic ride since 'Enter the void' - For which reason, it ought to be seen in widest screen possible. Malick's fondness of v-o's isn't abusive. The images flow but not with cinematic poesis of a Tarkovsky, who seamlessly sculpts time & space. The darkness & bright light that's often used to counterpoint null void & emanating sentient source seem to stand for mortality of medium itself. WCM had never been used with as much efficacy in American cinema since Kubrick.

Subsequent views could change my mind, but I feel the urge to revisit his other (better) films than to ride on this again.

Btw If you ever thought Malick finds contemporary setting utterly vacuous & empty to stay off it, Sean Penn portion reaffirms the assumption.

I loved this film simply because of the fact that I could reflect on a lot of my life through it. I have watched only "Badlands" before, which I couldn't connect to at all. This one reminded me of my own boyhood like no other film before.

As I left the cinema, two contrasting images were stuck in my head.

1. The scene with the dinosaur showing an inkling of compassion, perhaps. Couldn't help but smile here

.
2. The scene(s) with the humans playing with the lizard and the frog. Couldn't help at being outraged here