Sindhanai Selvar Dr.Kamal HaasaR - favourite movies,scenes 2

[P_R]

The VirumANdi mirrors thing is from an old post by former hubber kannannn.

[Cinemarasigan]

One rare photo of Kamal with daughters..

[Anban]

akshara

[P_R]

And Kurudhi Punal is the official remake of Govind Nihalani's Drohkaal (starring Om Puri & Naseeruddin Shah). Watch Drohkaal for the realism (which was missing in KP) and Om Puri's measured performance.

Drohkaal was like an amateurish school play compared to the
I find it unfortunate that people tend to only talk about the better production values and finesse - as if that was all(!) Kamal brought to the table. He fundamentally elevated the writing and made it the piece of art it is. May I interest you in my post about this.

I dont understand what you guys are talking about. Kurudhipunal was directed by P C Sriram!

ShabbA!
Who was THE principal creator is something everyone except those who refuse to see, can see.
I guess you are of the opinion that the auteur Sundar C directed AnbE Sivam, because the title card says so.

Anyway I vaguely remember we had this discussion earlier and you are particular about sticking by the label on the can. Suit yourself. But atleast spare us from expressing faux surprise on 'I don't understand why you are discussing as if this is a film directed by Kamal. It is not. The label does not say so'.

One of us will then say 'it jolly well is, any doubts please watch Meera and vAnam vasappadum' and then you will point to the irrefutably final artistic signature that is the title-card.

Shall we call this dance done for now.

[tamizharasan]

P_R
In my case I saw Guna and Mahanadhi and then came to a conclusion that vishwaroopam is ghost directed by Santhana Bharathai. Ippa enna seiveenga?

[venkkiram]

P_r..

எனக்கு ரொம்ப நாளா குருதிப்புனலின் ஒரு காட்சியைப் பற்றி பேசணும் என ஆசை. சரி.. இந்த வாய்ப்பை பயன்படுத்திக்க ஆசை..
படத்தின் ஒவ்வொரு காட்சியும் கதை நகர்தலுக்கு படிக்கட்டு போல அமைத்திருக்கும் வேளையில் ஒரு காட்சி மட்டும் கமல் ஏன் திரைப்படத்தில் வைத்தார் என தெரிந்து கொள்ள ஆசை. சிறையிலிருந்து பத்ரியை என்கவுண்டரில் தீர்த்துக் கட்ட வெளியெ அழைத்துச் சென்று வாக்குவாதத்தில் மட்டுமே ஈடுபட்டு, திரும்ப சிறைச்சாலைக்கே அழைத்து வந்து விடுவார். அதை கமல் திரைக்கதையில் வைக்க வேண்டிய அவசியம் என்ன? ஆதியின் அந்த மனமாற்றம் எதைக் காட்டுகிறது? என்கவுண்டர் என உணர்ந்தால் பத்ரி எப்படியாவது உண்மைகளை கக்கிவிடுவான் என்ற கணிப்பா? "வீரம்னா என்ன தெரியுமா உனக்கு? என்ற உரையாடலை அவர் சிறையிலேயே பேசியிருக்கலாமே!

[thamiz]

Drohkaal was like an amateurish school play compared to the
I find it unfortunate that people tend to only talk about the better production values and finesse - as if that was all(!) Kamal brought to the table. He fundamentally elevated the writing and made it the piece of art it is. May I interest you in my post about this.


ShabbA!
Who was THE principal creator is something everyone except those who refuse to see, can see.
I guess you are of the opinion that the auteur Sundar C directed AnbE Sivam, because the title card says so.

Anyway I vaguely remember we had this discussion earlier and you are particular about sticking by the label on the can. Suit yourself. But atleast spare us from expressing faux surprise on 'I don't understand why you are discussing as if this is a film directed by Kamal. It is not. The label does not say so'.

One of us will then say 'it jolly well is, any doubts please watch Meera and vAnam vasappadum' and then you will point to the irrefutably final artistic signature that is the title-card.

Shall we call this dance done for now.

I look at issues like this in a different angle than you do. If I're PC Sriram, I would be seriously offended in this situation. If you wish to call it as it is Kh who directed this film, that's fine with me. But let me take things in my own way.

[Arvind Srinivasan]

P_r..

எனக்கு ரொம்ப நாளா குருதிப்புனலின் ஒரு காட்சியைப் பற்றி பேசணும் என ஆசை. சரி.. இந்த வாய்ப்பை பயன்படுத்திக்க ஆசை..
படத்தின் ஒவ்வொரு காட்சியும் கதை நகர்தலுக்கு படிக்கட்டு போல அமைத்திருக்கும் வேளையில் ஒரு காட்சி மட்டும் கமல் ஏன் திரைப்படத்தில் வைத்தார் என தெரிந்து கொள்ள ஆசை. சிறையிலிருது பத்ரியை என்கவுண்டரில் தீர்த்துக் கட்ட வெளியெ அழைத்

One of the best scenes from the movie. I will try to possible explanation from my side. One of the recurring themes in the movie is that of a man reaching his breaking point in trying to stand by his principles. If you observe the dialogue from the scene - " Ippa puriyutha. Oru manushana avan porumai oda elaikkae veratti avanuknu kedaikka vendiya nyaayatha parichitta avan onna maari kobam vanthu enna maari theevaravaathi aayiduvaan". This directly refers to the above mentioned theme. Adhi's been pushed to his limits and almost commits to killing him. This would have gone completely against his stand of nermai, a virtue that he upholds.

[P_R]

But let me take things in my own way.

And the way is Santhabarathi directed Guna, Mahanadhi and Sundar C directed AnbE Sivam, is it?
illAinA avanga reNdu pEr offend aayidap pORAnga.

[NOV]