Ah! Thanks Bro. Yes, I'm hearing it's a very un-Coen film. For it feeling predominantly as 'Charlie Portis film' might be because the book does a pretty neat job of explaining visually and staying true to the girl's POV. It's good to note that even "No Country for Old Men" as a book also feels like a film script, but there you have a challenge with different POVs! I could see why Coens would have fell in love with Portis book, even if it's not that big a challenge to adapt. I don't remember POV of the decidedly weaker gender of the wild Wild West. Coens are (deceptively) feminist filmmakers. That aside, the story also unfolds like a coming of age tale in unlikely backdrop.

Waiting for DVDSCR.