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26th February 2005, 11:51 AM
#1
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G.Ramanathan
Topic started by Udhaya (@ 207.218.76.4) on Fri Dec 18 22:03:13 EST 1998.
<font size="-1">All times in EST +10:30 for IST.</font>
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26th February 2005 11:51 AM
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26th February 2005, 11:51 AM
#2
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Ravi (@ envy*) on: Sat Dec 19 10:55:14 EST 1998
http://tfmpage.com/forum/12249.19:43:36.html
This is just a reference since it mainly talks about his filmography.
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26th February 2005, 11:51 AM
#3
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Udhaya (@ ip19*) on: Sat Dec 19 14:05:39 EST 1998
I want a separate thread for Creativity of GR. It's not asking for much since the DF landscape is entirely smothered with IR and ARR. This would make people realize that Thamizh Film Music was around before these two contemporaries.
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26th February 2005, 11:51 AM
#4
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Ravi (@ hope*) on: Sat Dec 19 16:33:56 EST 1998
Udhaya: I too support it. I just posted this link so that people can remind themselves of his films, if needed and not start a discussion on that again.
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26th February 2005, 11:51 AM
#5
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Ravi (@ hope*) on: Sat Dec 19 16:42:59 EST 1998
I was recently listening again to 'yaaradi nee mohini' from uthamapuththiran. WOW! A real foot tapper.. one of the best such songs I have heard. I cannot comment on the styles he has adapted in this etc.. maybe some one more knowledgeable can help out here... I am sure there is some kind of western influence in this song. I really mean influence and not "influence" .
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26th February 2005, 11:51 AM
#6
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vijay (@ 129.*) on: Sat Dec 19 17:57:30 EST 1998
munnazhagu kanniyargal is a fantstic seduction type song of those days. i like the in between stanzas too. the tune is really pleasing. u get seduced too along with sivaji ganesan!!!
G.Ramanathan also effectively uses kaanada in the song'mullai malar meele' from the same film. another pleasing melody!
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26th February 2005, 11:51 AM
#7
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Kishore Krishna (@ ts3-*) on: Mon Dec 21 00:44:49 EST 1998
Well, if you're looking for comparisons to contemporary composers - he too recycled his tunes (creatively).
e.g. dheena karunakarane nataraja neelakantane (MKT, ashok kumar) reappeared in madurai veeran as yEchi pizhaikkum vaazhve sarithaanaa ennippaarunga (TMS, PLeela).
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26th February 2005, 11:51 AM
#8
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Ramaswamy Gireesan (@ fast*) on: Mon Dec 21 04:44:18 EST 199
GR was AFAIK, the first MD to use the raga Charukesi in film music. The song 'manmadha lIlaiyai venRAr uNdO' was acknowledged to be a good charukesi even by renowned musicians. I think he used a lot of Maand, and I can recall at least 3 instances of Kurinji in his compositions. His BGM was very ordinary, IMHO.
G.Ramaswamy
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26th February 2005, 11:51 AM
#9
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Ravi (@ envy*) on: Mon Dec 21 10:59:44 EST 1998
GR: During most of GR's era, people had to score BGM while the movie was being filmed i.e. live BGM, not to mntion live recording of songs. That might have hampered his style and might not have allowed him to develop his BGM skill during later days also. (I am sure duirng Uththamapuththiran days, re-recording was available.)
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26th February 2005, 11:51 AM
#10
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Sriram Lakshman (@ ifmx*) on: Mon Dec 21 12:17:28 EST 1998
GR followed it up with a another great Charukesi number, "Vasantha Mullai pole vanthu" sung by TMS. His Maand creation that comes to mind is "Ulavum thendral kaatrinile" with a waltz beat.
Did you notice that some of his songs had just one charanam ie one large stanza only like the above song, "Vaarai Nee Vaarai", "Ullam rendum ondru" (sung by CS Jayaraman and Jikki) in "Puthumai Pithan".
His "Varaamuthe" in "Ambikapathy" is the first love duet set to Mugari.
His "Kangalaal kaathal kaaviyam" in "Sarangathaara" had a fastish waltz beat with very short "santhams", a very good song.
An interesting fact to note is that GR and VR scored music for some movies together.
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